| Author |
Martin, Florence, 1959-
|
| Title |
Screens and veils [electronic resource] : Maghrebi women's cinema / Florence Martin. |
| OCLC |
EBC670320 |
| ISBN |
9780253356680 (cloth : alk. paper) |
|
9780253223418 (pbk. : alk. paper) |
|
9780253005656 (e-book) |
| Publisher |
Bloomington : Indiana University Press, 2011. |
| Description |
x, 271 p. |
| LC Subject heading/s |
Motion pictures -- Africa, North -- History -- 20th century.
|
|
Motion pictures -- Africa, North -- History -- 21st century.
|
|
Women motion picture producers and directors -- Africa, North.
|
|
Motion pictures -- Social aspects -- Africa, North.
|
|
Women in motion pictures.
|
|
Africa, North -- In motion pictures.
|
Other
Genre heading/s |
Electronic books
|
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Overture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda. |
| Reproduction note |
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. |
|
