NovaCat - NSU Libraries Catalog user info Skip the menu to the main content
     

Cover for {{ rc.info.title }}

{{rc.info.title}}

{{ rc.info.subtitle }}

{{ rc.info.author }}

{{ rc.info.edition }}

{{ rc.info.publisher }} {{ rc.info.year }}

Summary

{{rc.info.summary}} {{rc.info.summaryMore}}

Location Call # Volume Status
 Streaming Media      
Title Strange music of Namjune Paik [electronic resource] / Camera Three presents.
OCLC ASP2302597/clmv
Publisher [S.l.] : Creative Arts Television, 2007.
Description 1 online resource (29 min.).
002823
LC Subject heading/s Paik, Nam June, 1932-2006 -- Interviews.
Video art.
Performance art.
Avant-garde (Aesthetics)
Other
Genre heading/s
Concert films.
Documentary films.
General note Title from resource description page (viewed Jul. 25, 2014).
Creation/Production credits Commentary by Russell Connor ; art direction by Elmon Webb ; technical director, Bob Bernum ; audio, Jack Katz ; lighting director, Hal Lauter.
Summary Namjune Paik, Korean-born avant garde composer, assisted by cellist Charlotte Moorman, in a presentation of several pieces that explore his art. Paik, who revels in the description of himself as "the world's most famous bad pianist" and "the George Washington of video art", has been pushing at the boundaries of electronic music since the possibilities of synthesized music and video first appeared. Here he presents "Global Groove", "The Medium Is the Medium", and "Paik Meets Beethoven" (which he created for the Boston Symphony.) Paik, who had an advanced formal education at Tokyo University and the University of Munich, and studied at the Freiburg Conservatory, was turned into his path as a master nontraditionalist by meeting the avant garde composer John Cage. 1975.
Reproduction note Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Classical Music in Video). Available via World Wide Web.
Language note Spoken portions in English.
Permanent link back to this item
https://novacat.nova.edu:446/record=b2822770~S13

Use classic NovaCat |